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68.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
68.17 Questioner: I am interested in how the first distortion applies to the negatively polarized entity misplacing the mind/body/spirit complex. Why is the negatively polarized entity followed to the place of negative time/space? Why would one of us freely follow the entity?
Ra: I am Ra. The positive polarity sees love in all things. The negative polarity is clever.
68.19 Questioner: Only is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. You are conscientious. We realize your necessity for these queries. All is well, my friends. We thank you and leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
69.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.
Before we proceed may we make a small request for future workings. At this particular working there is some slight interference with the contact due to the hair of the instrument. We may suggest the combing of this antenna-like material into a more orderly configuration prior to the working.
We communicate now.
69.19 Questioner: Then you are saying just by holding the instrument’s hand during the channeling sessions that this would prevent trance?
Ra: I am Ra. This would prevent those levels of meditation which necessarily precede trance. Also in the event that, unlikely as it might seem, the entity grew able to leave the physical complex the auric infringement and tactile pressure would cause the mind/body/spirit complex to refrain from leaving.
69.20 Questioner: We keep bringing up points out of the Esmerelda Sweetwater book, that being one particularly in the book. I was wondering, in that we were attempting to retrieve the space girl’s mind/body/spirit complex from what must have been negative time/space, as it was placed there by the magician Trostrick: was the scenario of Trostrick’s actions working with the space girl, and in Esmerelda Sweetwater’s magical ritual that she designed to help retrieve the space girl’s mind/body/spirit complex, were both of these techniques approximately reasonable or were there any errors in the design of these magical techniques?
Ra: I am Ra. There were no errors. We only remind each that this particular character imaged forth by you was an experienced adept.
69.22 Questioner: There are many techniques and ways of practicing so-called white magical arts. Are rituals designed by a particular group for their own particular use just as good or possibly better than those that have been practiced by groups such as the Order of the Golden Dawn and other magical groups?
Ra: I am Ra. Although we are unable to speak with precision on this query, we may note some gratification that the questioner has penetrated some of the gist of a formidable system of service and discipline.
I am Ra. May we thank you again, my friends, for your conscientiousness. All is well. We leave you rejoicing in the power and the peace of the One Infinite Creator. Go forth with joy. Adonai.
70.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
70.1 Questioner: Could you please give me an indication of the condition of the instrument?
Ra: I am Ra. We are gratified to say that it is as previously stated.
70.2 Questioner: Why do you say you are gratified to say that?
Ra: I am Ra. We say this due to a sense of gratitude at the elements which have enabled this instrument to maintain, against great odds, its vital energy at normal vibratory strength. As long as this complex of energies is satisfactory we may use this instrument without depletion regardless of the distortions previously mentioned.
70.3 Questioner: The instrument has complained of intensive psychic attack for the past diurnal period, approximately. Is there a reason for the intensification of this at this time?
Ra: I am Ra. Yes.
70.20 Questioner: Now, was there a reason for the particular shape you chose, in particular a reason for the three hemispheres on the bottom?
Ra: I am Ra. It seemed an aesthetically pleasing form and one well suited to those limited uses which we must needs make of your space/time motivating requirements.
70.21 Questioner: Was there a principle of motivation contained within the three hemispheres on the bottom, or were they just aesthetic, or were they landing gear?
Ra: I am Ra. These were aesthetic and part of a system of propulsion. These hemispheres were not landing gear.
71.0 Ra: I am Ra and I greet you in the love and in the light of the One Infinite Creator. We communicate now.
71.9 Questioner: Are the processes that we are talking about processes that occur on many planets in our Milky Way Galaxy, or do they occur on all planets, or what percentage?
Ra: I am Ra. These processes occur upon all planets which have given birth to sub-Logoi such as yourselves. The percentage of inhabited planets is approximately 10%.
75.1 Questioner: Could you first please give me the condition of the instrument?
Ra: I am Ra. It is as previously stated with some slight lessening of the reserve of vital energy due to mental/emotional distortions regarding what you call the future.
71.23 Questioner: Is there anything that we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. You are conscientious. Remain most fastidious about the alignments of the appurtenances. We thank you. I am Ra. I leave you in the love and in the glorious light of the Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
72.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
72.1 Questioner: Could you first give me an indication of the instrument’s condition, please?
Ra: I am Ra. This instrument’s physical energy distortions are as previously stated. The vital energy level has become distorted from normal levels, somewhat downward, due to the distortion in this instrument’s mind complex activity that it has been responsible for the, shall we say, difficulties in achieving the appropriate configuration for this contact.
72.3 Questioner: Can you tell me what I can do to improve the effectiveness of the ritual?
Ra: I am Ra. No.
72.4 Questioner: Can you tell me what caused the instrument to become in a condition toward unconsciousness during the last two meditations prior to this one to such an extent that we discontinued [them]?
Ra: I am Ra. We can.
72.12 Questioner: Could you explain what you mean by “raises up any personality?”
Ra: I am Ra. Clues, we may offer. Explanation is infringement. We can only ask that you realize that all are One.
72.13 Questioner: We have included “Shin” in the banishing ritual, “Yod Heh Vau Heh*” to make it “Yod Heh Shin Vau Heh.” Is this helpful?
Ra: I am Ra. This is helpful especially to the instrument whose distortions vibrate greatly in congruency with this sound vibration complex.
72.15 Questioner: Is there any danger in the Sunday night meditations, [with the] precautions we are taking, of the instrument being led away by the Orion entity?
Ra: I am Ra. The opportunities for the Orion entity are completely dependent upon the instrument’s condition of awareness and readiness. We would suggest that this instrument is still too much the neophyte to open itself to questions since that is the format used by Ra. As the instrument grows in awareness this precaution may become unnecessary.
73.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
73.1 Questioner: Could you first please give me an indication of the instrument’s condition?
Ra: I am Ra. It is as previously stated with the exception of the vital energy level which is distorted more nearly towards that which is normal for this entity.
73.2 Questioner: Has the banishing ritual that we have performed been helpful for this contact?
Ra: I am Ra. The ritual described has gained with each working in making efficacious the purity of contact needed not only for the Ra contact but for any working of the adept.
73.6 Questioner: Could you tell me how I am wrong in that statement?
Ra: I am Ra. Yes.
73.21 Questioner: Thank you. Could you tell me of the number of possible energy transfers between two or more mind/body/spirit complexes. Is it very large, or are there few [inaudible]?
Ra: I am Ra. The number is infinite, for is not each mind/body/spirit complex unique?
74.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
74.1 Questioner: Could you first please give me the condition of the instrument?
Ra: I am Ra. It is as previously stated.
74.7 Questioner: I’m not sure if I understand this. The question is how do disciplines of the personality feed the indigo-ray energy center and affect the power of the white magician. Does that question make sense?
Ra: I am Ra. Yes.
74.18 Questioner: Why do these sounds have this property?
Ra: I am Ra. The correspondence in vibratory complex is mathematical.
At this time we have enough transferred energy for one full query.
74.19 Questioner: How did the users of these sounds, Sanskrit and Hebrew, determine what these sounds were?
Ra: I am Ra. In the case of the Hebrew that entity known as Yahweh aided this knowledge through impression upon the material of genetic coding which became language, as you call it.
In the case of Sanskrit the sound vibrations are pure due to the lack of previous what you call alphabet or letter-naming. Thus the sound vibration complexes seemed to fall into place as from the Logos. This was a more, shall we say, natural or unaided situation or process.
We would at this time make note of the incident in the previous working where our contact was incorrectly placed for a short period and was then corrected. In the exercise of the fire you may see the initial spiral clockwise from the green-ray energy center, through the shoulders and head, then through the elbows, then to the left hand. The channel had been corrected before the remainder of this answer was completed.
Is there a brief query at this time?
74.20 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. The instrument continues in some pain, as you call this distortion. The neck area remains most distorted although the changes have been, to a small degree, helpful. The alignments are good.
We would leave you now, my friends, in the love and in the light of the One Infinite Creator. Go forth, then, glorying and rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
75.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
75.18 Questioner: What was the Orion entity’s objective with respect to the entity you spoke of who, in a demanding manner, sings the Mass?
Ra: I am Ra. The Orion entity wishes to remove the instrument.
75.17 Questioner: How was the Orion entity able to act through this linkage of the “Hosanna?” Was this simply because of the mental distortion of the instrument at this period of time, because of that suggested by the music, or was it a more physical or more metaphysical link from the time of Christ?
Ra: I am Ra. Firstly, the latter supposition is false. This entity is not linked with the entity, Jehoshua. Secondly, there is a most unique circumstance. There is an entity which has attracted the attention of an Orion light being. This is extremely rare.
This entity has an intense devotion to the teachings and example of the one it calls Jesus. This entity then vibrates in song a most demanding version, called The Mass in B Minor by Bach, of this exemplary votive complex of sound vibrations. The entity is consciously identifying with each part of this Mass. Only thusly was the chink made available. As you can see, it is not an ordinary occurrence and would not have happened had any ingredient been left out: exhaustion, bias in belief complexes, attention from an Orion entity, and the metaphysical nature of that particular set of words.
75.27 Questioner: If these sounds are precisely vibrated then what effect or use would they have with respect to the purposes of the adept?
Ra: I am Ra. You may consider the concept of sympathetic resonance. When certain sounds are correctly vibrated, the creation sings.
75.33 Questioner: You mentioned in an earlier session that the hair was an antenna. Could you expand on that statement as to how that works?
Ra: I am Ra. It is difficult to so do due to the metaphysical nature of this antenna-effect. Your physics are concerned with measurements in your physical complex of experience. The metaphysical nature of the contact of those in time/space is such that the hair, as it has significant length, becomes as a type of electrical battery which stays charged and tuned and is then able to aid contact even when there are small anomalies in the contact.
75.34 Questioner: Well, is there an optimum length of hair for this aid?
Ra: I am Ra. There is no outer limit on length but the, shall we say, inner limit is approximately four to four and one-half inches depending upon the strength of the contact and the nature of the instrument.
75.41 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. You are conscientious. The alignments are well.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and peace of the One Infinite Creator. Adonai.
76.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
76.18 Questioner: I didn’t understand what you meant by “seen to you as being quite vivid.” What do you mean?
Ra: I am Ra. This creation is somewhat more condensed by its Logos than some other Logoi have chosen. Thus each experience of the Creator by the Creator in this system of distortions is, relatively speaking, more bright or, as we said, vivid.
77.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
77.1 Questioner: Could you first please give me an indication of the condition of the instrument?
Ra: I am Ra. It is as previously stated.
77.4 Questioner: What could we do?
Ra: I am Ra. Your group could refrain from continuing this contact.
77.5 Questioner: Is that the only thing we could do?
Ra: I am Ra. That is the only thing you could do which you are not already attempting with a whole heart.
77.8 Questioner: Finally, she wishes to know why several days ago her heart rate went up to 115 per minute and then she had extreme pain in her stomach. Was that an Orion greeting, it says?*
Ra: I am Ra. Although this experience was energized by the Orion group the events mentioned, as well as others more serious, were proximally* caused by the ingestion of certain foodstuffs in what you call your tablet form.
78.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
78.1 Questioner: Was there some problem with the ritual performed that it was necessary to perform it twice?
Ra: I am Ra. There was a misstep which created a momentary lapse of concentration. This was not well.
78.2 Questioner: What was the misstep?
Ra: I am Ra. It was a missed footing.
78.3 Questioner: Did this have any detrimental effect on the instrument?
Ra: I am Ra. Very little. The instrument felt the presence it has come to associate with cold and spoke. The instrument did the appropriate thing.
78.4 Questioner: Could you tell me the condition of the instrument?
Ra: I am Ra. The physical complex is as previously stated. There is some slight loss of vital energy. The basic complex distortions are similar to your previous asking.
78.6 Questioner: What was the experience that caused the healing of the time/space kidney?
Ra: I am Ra. This experience was the healing of self by self with the catalyst of the spiritual healer whom you call Pachita.
78.14 Questioner: But, in doing this, there was at the center of the galaxy, the lack of knowledge or the lack of concept of possibility of extending the first distortion, so as to allow for what we have experienced as polarity. Was there any concept of polarity carried through from the previous octave in the sense of service-to-others or service-to-self polarity?
Ra: I am Ra. There was polarity in the sense of the mover and the moved. There was no polarity in the sense of service to self and service to others.
78.15 Questioner: Then the first experiences, as you say, were in monochrome. Now, was the concept of the seven densities of vibration with the evolutionary process taking place in the discrete densities— was that carried through from the previous octave?
Ra: I am Ra. To the limits of our knowledge, which are narrow, the ways of the octave are without time; that is, there are seven densities in each creation infinitely.
78.22 Questioner: I did not understand that. Could you say that in a different way?
Ra: I am Ra. As you have noted, the creation of which your Logos is a part is a protean entity which grows and learns upon a macrocosmic scale. The Logos is not a part of time. All that is learned from experience in an octave is, therefore, the harvest of that Logos and is further the nature of that Logos.
The original Logos’s experience was, viewed in space/time, small; Its experience now, more. Therefore we say, as we now speak to you at this space/time, the nature of creation is as we have described. This does not deny the process by which this nature has been achieved but merely ratifies the product.
78.27 Questioner: Are they accurate, or have I made mistakes?
Ra: I am Ra. There are no mistakes.
79.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
79.1 Questioner: Could you first please give me the condition of the instrument?
Ra: I am Ra. It is as previously stated.
79.2 Questioner: The instrument would like to ask, is there any danger in receiving too much transferred energy with the instrument in her present condition?
Ra: I am Ra. No.
79.14 Questioner: Thank you. Prior to the experiment to extend the first distortion how many archetypes were there for the creation of the Logos of that time?
Ra: I am Ra. There were nine.
79.17 Questioner: Could you tell me what they correspond to?
Ra: I am Ra. The body, the mind, and the spirit each contained and functioned under the aegis* of the matrix, the potentiator, and the significator. The significator of the mind*, body, and spirit is not identical to the significator of the mind*, body, and spirit complexes.
79.25 Questioner: Could you de-roughen it, elucidate a bit on that?
Ra: I am Ra. There is intervening material before we may do so.
79.26 Questioner: OK. Now, was then this simple experiment carried out and the product of this experiment observed before greater complexity was attempted?
Ra: I am Ra. As we have said there have been a great number of successive experiments.
79.28 Questioner: Well, I was aware of that. I probably didn’t state the question correctly. It’s a very difficult question to state. I don’t know if it’s worth attempting to continue with but what I meant was when this very first experiment with the veiling process occurred, did it result in service-to-self polarization with the first experiment?
Ra: I am Ra. The early, if we may use this term, Logoi produced service-to-self and service-to-others mind/body/spirit complexes immediately. The harvestability of these entities was not so immediate and thus refinements of the archetypes began apace.
79.29 Questioner: Now we are getting to what I was trying to determine. Then at this point were there still only nine archetypes and the veil had just been drawn between the Matrix and Potentiator?
Ra: I am Ra. There were nine archetypes and many shadows.
79.30 Questioner: By shadows do you mean what I might refer to as the birthing of small archetypical biases?
Ra: I am Ra. Rather we would describe these shadows as the inchoate* thoughts of helpful structures not yet fully conceived.
79.31 Questioner: Then at this point, would the Choice exist at this point, the creation of the first service-to-self polarity? Is there a choice at that point or is it a non-choice?
Ra: I am Ra. Implicit in the veiling or separation of two archetypes is the concept of choice. The refinements to this concept took many experiences.
79.38 Questioner: Then is the Hierophant the link, you might say, between the mind and the body?
Ra: I am Ra. There is a strong relationship between the significators of the mind, the body, and the spirit. Your statement is too broad.
79.40 Questioner: Transformation of the mind into what?
Ra: I am Ra. As you observe Archetype Six you may see the student of the mysteries being transformed by the need to choose betwixt the light and the dark in mind.
79.41 Questioner: Would the Conqueror or Chariot then represent the culmination of the action of the first six archetypes into a conquering of the mental processes, even possibly removing the veil?
Ra: I am Ra. This is most perceptive. The Archetype Seven is one difficult to enunciate. We may call it the Path, the Way, or the Great Way of the Mind. Its foundation is a reflection and substantial summary of Archetypes One through Six.
One may also see the Way of the Mind as showing the kingdom or fruits of appropriate travel through the mind in that the mind continues to move as majestically through the material it conceives of as a chariot drawn by royal lions or steeds.
At this time we would suggest one more full query for this instrument is experiencing some distortions towards pain.
Ra: I am Ra. You are conscientious, my friends. We leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Glorious Infinite Creator. Adonai.
80.2 Questioner: I had to leave the room for a forgotten item after we performed the banishing ritual. Did this have a deleterious effect on the ritual or the working?
Ra: I am Ra. Were it the only working the lapse would have been critical. There is enough residual energy of a protective nature in this place of working that this lapse, though quite unrecommended, does not represent a threat to the protection which the ritual of which you spoke offers.
80.17 Questioner: How would you describe the Significator of the Spirit?
Ra: I am Ra. In answer to the previous query we set about doing just this. The Significator of the Spirit is that living entity which either radiates or absorbs the love and the light of the One Infinite Creator, radiates it to others or absorbs it for the self.
81.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
81.1 Questioner: Could you first please tell me the condition of the instrument?
Ra: I am Ra. The physical complex energy is in deficit at this particular space/time nexus due to prolonged psychic accentuation of pre-existing distortions. The remainder of the energy complex levels are as previously stated.
81.9 Questioner: The instrument would like to know why she has a feeling of increased vital energy?
Ra: I am Ra. We leave this answer to the instrument.
81.10 Questioner: She would like to know if she has an increased sensitivity to foods?
Ra: I am Ra. This instrument has an increased sensitivity to all stimuli. It is well that it use prudence.
81.15 Questioner: I have guessed that a way that I could enter into a better comprehension of the development experience that is central to our work, is to compare what we experience now, after the veil was dropped, with what was experienced prior to that time, starting possibly as far back as the beginning of this octave of experience, to see how we got into the condition we’re in now. If this is agreeable I would like to retreat to the very beginning of this octave of experience to investigate the conditions of mind, body, and spirit as they evolved in this octave. Is this satisfactory, acceptable?
Ra: I am Ra. The direction of questions is your provenance.
81.21 Questioner: Then what portion of these galaxies is Ra aware of? Has Ra experienced consciousness in many other of these galaxies?
Ra: I am Ra. No.
81.22 Questioner: Does Ra have any experience or knowledge of or travel to, in one form or another, any of these other galaxies?
Ra: I am Ra. Yes.
81.23 Questioner: Just… it’s unimportant, but just roughly how many other of these galaxies has Ra, shall we say, traveled to?
Ra: I am Ra. We have opened our hearts in radiation of love to the entire creation. Approximately 90 percent of the creation is at some level aware of the sending and able to reply. All of the infinite Logoi are one in the consciousness of love. This is the type of contact which we enjoy rather than travel.
81.27 Questioner: Does Ra have knowledge of, say, any other major galaxy or the consciousness or anything in that galaxy?
Ra: I am Ra. We assume you are speaking of the possibility of knowledge of other major galaxies. There are Wanderers from other major galaxies drawn to the specific needs of a single call. There are those among our social memory complex which have become Wanderers in other major galaxies. Thus there has been knowledge of other major galaxies, for to one whose personality or mind/body/spirit complex has been crystallized the universe is one place and there is no bar upon travel. However, our interpretation of your query was a query concerning the social memory complex traveling to another major galaxy. We have not done this, nor do we contemplate it, for we can reach in love with our hearts.
82.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.
82.1 Questioner: Could you first please give me the condition of the instrument?
Ra: I am Ra. It is as previously stated.
82.2 Questioner: Is there anything at all that we could do that we are not doing to— besides eliminating the contact— to increase the physical energy of the instrument?
Ra: I am Ra. There is the possibility/probability that the whirling of the water with spine erect would alter, somewhat, the distortion towards what you call pain which this entity experiences in the dorsal region on a continuous level. This in turn could aid in the distortion towards increase of physical energy to some extent.
82.5 Questioner: Does Ra have any knowledge of the number of previous octaves; and if so, how many?
Ra: I am Ra. As far as we are aware we are in an infinite creation. There is no counting.
82.30 Questioner: Is there anything that we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. All parameters are being met. Remain united in love and thanksgiving. We thank you for your conscientiousness as regards the appurtenances.
I am Ra. I leave you in the love and in the light of the One Infinite Glorious Creator. Go forth, therefore, rejoicing merrily in the power and the peace of the One Creator. Adonai.
83.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
83.1 Questioner: Could you first please give me the condition of the instrument?
Ra: I am Ra. It is as previously stated.
83.4 Questioner: Let’s take, then, since we are on the subject of sex, the relationship before and after the veil of disease, in this particular case venereal disease. Was this type of disease in existence prior to the veil?
Ra: I am Ra. There has been that which is called disease, both of this type and others, before and after this great experiment. However, since the venereal disease is in large part a function of the thought-forms of a distorted nature which are associated with sexual energy blockage the venereal disease is almost entirely the product of mind/body/spirit complexes’ interaction after the veiling.
83.5 Questioner: You mentioned it did exist in a small way prior to the veil. What was the source of its development prior to the veiling process?
Ra: I am Ra. The source was as random as the nature of disease distortions are, at heart, in general. Each portion of the body complex is in a state of growth at all times. The reversal of this is seen as disease and has the benign function of ending an incarnation at an appropriate space/time nexus. This was the nature of disease, including that which you call venereal.
83.12 Questioner: Then you say that there are no cases where those who are service-to-others oriented are using in any way techniques of enslavement that have grown as a result of the evolution of our social structures? Is this what you mean?
Ra: I am Ra. It was our understanding that your query concerned conditions before the veiling. There was no unconscious slavery, as you call this condition, at that period. At the present space/time the condition of well-meant and unintentional slavery are so numerous that it beggars our ability to enumerate them.
83.17 Questioner: Could you expand on what you mean by that interaction of polarized entities in piercing the veil?
Ra: I am Ra. We shall state two items of note. The first is the extreme potential for polarization in the relationship of two polarized entities which have embarked upon the service-to-others path or, in some few cases, the service-to-self path. Secondly, we would note that effect which we have learned to call the doubling effect. Those of like mind which together seek shall far more surely find.
83.19 Questioner: What was the mechanism of the very first veiling process? I don’t know if you can answer that. Would you try to, though, answer that?
Ra: I am Ra. The mechanism of the veiling between the conscious and unconscious portions of the mind was a declaration that the mind was complex. This, in turn, caused the body and the spirit to become complex.
84.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.
84.1 Questioner: Could you first please give me the condition of the instrument?
Ra: I am Ra. The physical complex energy level of the instrument is in sizable deficit. The vital energies are well.
84.14 Questioner: Would you give me an example of that last statement?
Ra: I am Ra. We preface this example with the reminder that each system is quite distorted and its teachings always half-lost. However, one such system is that called the tantric yoga.
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