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29.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.

30.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

31.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

32.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.

33.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

34.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

35.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

36.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.

37.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

38.0 Ra: [I am Ra. I greet you] in the love and in the light of the One Infinite Creator. We communicate now.

39.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.

40.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.

41.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

48.2 Questioner: I have a question from the instrument that I will read. “You have suggested several times that sexual energy transfers aid the instrument’s vital energy and this contact. It seems that this is not true for all people; that the sexual circuitry and the spiritual circuitry are not the same. Is this instrument an anomaly, or is the positive effect of sexual activity on spiritual energy normal for all third-density beings?”

Ra: I am Ra. This instrument, though not anomalous, is somewhat less distorted towards the separation of mind, body, and spirit than many of your third-density entities. The energies of sexual transfer would, if run through the undeveloped spiritual electrical or magnetic complex which you call circuitry, effectually blow out that particular circuit. Contrarily, the full spiritual energies run through bodily complex circuitry will also adversely affect the undeveloped circuit of the bodily complex. Some there are, such as this instrument, who have not in the particular incarnation chosen at any time to express sexual energy through the bodily circuitry. Thus from the beginning of such an entity’s experience the body and spirit express together in any sexual action. Therefore, to transfer sexual energy for this instrument is to transfer spiritually as well as physically. This instrument’s magnetic field, if scrutinized by one sensitive, will show these unusual configurations. This is not unique to one entity but is common to a reasonable number of entities who, having lost the desire for orange- and green-ray* sexual experiences, have strengthened the combined circuitry of spirit, mind, and body to express the totality of beingness in each action. It is for this reason also that the social intercourse and companionship is very beneficial to this instrument, it being sensitive to the more subtle energy transfers.

* Ra said “green-ray,” but presumably they meant “yellow-ray.”

60.3 Questioner: Can you tell me the best approach for altering, to a more acceptable condition, the distortions that the instrument is experiencing?

Ra: I am Ra. There is some small amount of work which the instrument may do concerning its pre-incarnative decisions regarding service to the Infinite Creator in this experience. However, the decision to open without reservation to the offering of self when service is perceived is such a fundamental choice that it is not open to significant alteration, nor would we wish to interfere with the balancing process which is taking place with this particular entity. The wisdom and compassion being so balanced by this recapitulation of fourth density is helpful to this particular mind/body/spirit complex. It is not an entity much given to quibbling with the purity with which it carries out that which it feels it is best to do. We may say this due to the instrument’s knowledge of itself which is clear upon this point. However, this very discussion may give rise to a slightly less fully unstopped dedication to service in any one working so that the service may be continued over a greater period of your space/time.

65.8 Questioner: Are you saying then that this possible condition of war would be much more greatly spread across the surface of the globe than anything we have experienced in the past and therefore touch a larger percentage of the population in this form of catalyst?

Ra: I am Ra. This is correct. There are those now experimenting with one of the major weapons of this scenario, that is the so-called psychotronic group of devices which are being experimentally used to cause such alterations in wind and weather as will result in eventual famine. If this program is not countered and proves experimentally satisfactory, the methods in this scenario would be made public. There would then be what those whom you call Russians hope to be a bloodless invasion of their personnel in this and every land deemed valuable. However, the peoples of your culture have little propensity for bloodless surrender.

66.3 Questioner: Can you tell me the most appropriate method for attempting to alleviate the instrument’s physical problems?

Ra: I am Ra. The basic material has been covered before concerning the nurturing of this instrument. We recapitulate: the exercise according to ability, not to exceed appropriate parameters, the nutrition, the social intercourse with companions, the sexual activity in green ray or above, and in general, the sharing of the distortions of this group’s individual experiences in an helpful, loving manner.

These things are being accomplished with what we consider great harmony, given the density in which you dance. The specific attention and activities with which those with physical complex distortions may alleviate these distortions are known to this instrument.

Finally, it is well for this instrument to continue the practices it has lately begun.

42.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

43.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.

Before we communicate may we request the adjustment, without the touching of this instrument’s physical body complex, of the item which presses upon the instrument’s head. This is causing some interference with our contact.

46.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

47.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

48.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

49.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

50.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

51.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

52.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

53.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

54.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

55.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

56.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

57.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

57.34 Questioner: Is there anything we can do to make the instrument more comfortable or improve the contact?

Ra: I am Ra. All is harmonious. We greet you all in joy. The adjustments are satisfactory.

I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.

1.0 Ra: I am Ra. I have not spoken through this instrument before. We had to wait until she was precisely tuned, as we send a narrow-band vibration. We greet you in the love and in the light of our Infinite Creator.

We have watched your group. We have been called to your group, for you have a need for the diversity of experiences in channeling which go with a more intensive, or as you might call it, advanced approach to the system of studying the patterns of the illusions of your body, your mind, and your spirit, which you call seeking the truth. We hope to offer you a somewhat different slant upon the information which is always and ever the same.

The Confederation of Planets in the Service of the Infinite Creator has only one important statement. That statement, my friends, as you know, is “All things, all of life, all of the creation is part of one original thought*.”

We will exercise each channel if we are able to. The reception of our beam is a somewhat more advanced feat than some of the more broad vibration channels opened by other members for more introductory and intermediate work.

Let us for a moment consider thought. What is it, my friends, to take thought? Took you then thought today? What thoughts did you think today? What thoughts were part of the original thought today? In how many of your thoughts did the creation abide? Was love contained? And was service freely given? You are not part of a material universe. You are part of a thought. You are dancing in a ballroom in which there is no material. You are dancing thoughts. You move your body, your mind, and your spirit in somewhat eccentric patterns for you have not completely grasped the concept that you are part of the original thought.

We would at this time transfer to an instrument known as Don. I am Ra.

[Two-minute pause.]

I am Ra. I am again with this instrument. We are close to initiating a contact but are having difficulty penetrating a certain mental tension and distraction that is somewhat characteristic of this channel. We will therefore describe the type of vibration which is being sent. The instrument will find us entering the energy field at a slight angle towards the back of the top of the head in a narrow but strong area of intensity. We are not able to offer any conditioning due to our own transmitting limitations. Therefore, if the instrument can feel this particular effect he may then speak our thoughts as they come to him. We will again attempt this contact. I am Ra.

[Ninety-second pause.]

This instrument is resisting our contact. However, we assure her that we are satisfied that contact with the one known as Don is not at this time preferable to that instrument. We will, therefore, move on to the one known as Leonard. Again we caution the instrument that it is a narrow-band communication which is felt as a vibration entering the aura. We will now transfer this contact. I am Ra.

[Ninety-second pause.]

I am Ra. We greet you once more in the love and the light of our Infinite Creator. We ask that you be patient with us, for we are a difficult channel to receive. However, we may perhaps add some dimensions to your understanding.

At this time we would be glad to attempt to speak to any subject or question which those entities in the room may have potential use in the requesting.

17.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator.

Before we communicate by answer we shall correct an error which we have discovered in the transmission of our information to you. We have difficulty dealing with your time/space. There may again be errors of this type. Feel free to question us that we may recalculate in your time/space measurements.

The error we have discovered concerns one of the arrivals of both the Orion group into your planetary sphere of influence and the corresponding arrival of emissaries of the Confederation. We gave dates of two six oh oh [2,600] years for the Orion entry, two three oh oh [2,300] for Confederation entry. This is incorrect. The recalculation indicates numbers three six oh oh [3,600] for Orion entry, three three oh oh [3,300] for Confederation entry.

We communicate now.

58.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

59.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

60.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

61.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the Infinite Creator. We communicate now.

62.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.

Before we begin may we request that a circle be walked about this instrument and let then each of the supporting group expel breath forcibly, approximately two and one-half feet above the instrument’s head, the circle then again being walked about the instrument.

[This was done as directed.]

I am Ra. We appreciate your kind cooperation. Please recheck the alignment of perpendicularity and we will begin.

[This was done as directed.]

I am Ra. We communicate now.

63.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

64.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

65.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

66.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

67.0 Ra: I am Ra and I greet you in the love and in the light of the One Infinite Creator. I communicate now.

68.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

69.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.

Before we proceed may we make a small request for future workings. At this particular working there is some slight interference with the contact due to the hair of the instrument. We may suggest the combing of this antenna-like material into a more orderly configuration prior to the working.

We communicate now.

70.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

71.0 Ra: I am Ra and I greet you in the love and in the light of the One Infinite Creator. We communicate now.

72.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

73.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

74.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

75.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

75.14 Questioner: The instrument would like to know why twice at the “Benedictus” portion of the music that she practices did she experience what she believes to be a psychic attack?

Ra: I am Ra. This is not a minor query. We shall first remove the notations which are minor. In the vibrating, which you call singing, of the portion of what this instrument hallows as the Mass which immediately precedes that which is the chink called the “Hosanna” there is an amount of physical exertion required that is exhausting to any entity. This portion of which we speak is termed the “Sanctus.” We come now to the matter of interest.

When the entity Jehoshua* decided to return to the location called Jerusalem for the holy days of its people it turned from work mixing love and wisdom and embraced martyrdom which is the work of love without wisdom.

The “Hosanna,” as it is termed, and the following “Benedictus,” is that which is the written summation of what was shouted as Jehoshua came into the place of its martyrdom. The general acceptance of this shout, “Hosanna to the son of David! Hosanna in the highest! Blessed is he who comes in the name of the Lord!” by that which is called the church has been a misstatement of occurrence which has been, perhaps, unfortunate for it is more distorted than much of the so-called Mass.

There were two factions present to greet Jehoshua, firstly, a small group of those which hoped for an earthly king. However, Jehoshua rode upon an ass stating by its very demeanor that it was no earthly king and wished no fight with Roman or Sadducee*.

The greater number were those which had been instructed by rabbi and elder to make jest of this entity, for those of the hierarchy feared this entity who seemed to be one of them, giving respect to their laws and then, in their eyes, betraying those time-honored laws and taking the people with it.

The chink for this instrument is this subtle situation which echoes down through your space/time and, more than this, the place the “Hosanna” holds as the harbinger of that turning to martyrdom. We may speak only generally here. The instrument did not experience the full force of the greeting which it correctly identified during the “Hosanna” due to the intense concentration necessary to vibrate its portion of that composition. However, the “Benedictus” in this particular rendition of these words is vibrated by one entity. Thus the instrument relaxed its concentration and was immediately open to the fuller greeting.

76.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

77.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

78.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

79.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

80.0 Ra: I am Ra. We greet you in the love and in the light of the One Infinite Creator.

Before we initiate this working we would wish to correct an error which we have found in previous material. That archetype, Five, which you have called the Hierophant, is the Significator of the Mind complex.

This instrument is prey to sudden flares towards the distortion known as pain. We are aware of your conscientious attempts to aid the instrument but know of no other modality available to the support group other than the provision of water therapy upon the erect spinal portion of the physical body complex, which we have previously mentioned.

This instrument’s distortions of body do not ever rule out, shall we say, such flares during these periods of increased distortion of the body complex. Our contact may become momentarily garbled. Therefore, we request that any information which seems garbled be questioned as we wish this contact to remain as undistorted as the limitations of language, mentality, and sensibility allow.

We communicate now.

80.3 Questioner: Has our fifth-density visitor been less able to affect the instrument during our more recent workings?

Ra: I am Ra. We shall answer in two parts. Firstly, during the workings themselves the entity has been bated to a great extent. Secondly, in the general experiential circumstance of your space/time experience this fifth-density entity is able to greet this entity with the same effectiveness upon the physical body complex as always since the inception of its contact with your group. This is due to the several physical complex distortions of the instrument.

However, the instrument has become more mentally and spiritually able to greet this entity with love thereby reducing the element of fear which is an element the entity counts as a great weapon in the attempt to cause cessation, in any degree, of the Ra contact.

81.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

82.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.

83.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

84.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.

86.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

87.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

88.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

89.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

90.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

91.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

92.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

93.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

94.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

95.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.

96.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

97.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

99.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

100.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.

103.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

44.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

45.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

98.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

98.3 Questioner: I had just taken a wild guess that it was possibly during that meditation prior to the working that was used by our fifth-density, negative friend to create the allergic reactions and other in the instrument. Was I correct on that, or incorrect?

Ra: I am Ra. This entity greets the instrument as close to the working in your space/time continuum as is practicable. The elimination of that preparation caused the fifth-density entity to greet this instrument at this juncture of decision not to meditate. The greeting does not take what you would call a noticeable amount of your time.

101.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

102.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

104.0 Ra: I am Ra. We greet you in the love and in the light of the One Infinite Creator. We communicate now.

105.0 Ra: [I am] Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.

106.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

75.19 Questioner: Is this a fourth- or a fifth-density entity?

Ra: I am Ra. This instrument is being greeted by a fifth-density entity which has lost some polarity due to its lack of dictatorship over the disposition of the instrument’s mind/body/spirit or its yellow-ray activated physical complex.

75.21 Questioner: I think there was a little miscommunication here. The other person who sings the Mass who helped in creating this chink you said was also greeted by an Orion entity, and my question was what density was that entity that greets the person who sings the Mass?

Ra: I am Ra. We did not speak of any entity but the instrument.

67.4 Questioner: We would welcome the services of the entity who uses, and I will use the misnomer, you might say, of attack, since I do not consider this an attack but an offering of service, and we welcome this offering of service, but we would be able, I believe, to make more full use of the service if it were not physically disabling the instrument in a minor way. For with a greater physical ability she would be able to more appreciate the service. We would greatly appreciate it if the service was carried on in some manner which we could welcome in even greater love than at present. This, I assume, would be some service that would not include the dizzying effect.

I am trying to understand the mechanism of this service by the entity that seems to be constantly with us, and I am trying to understand the origin of this entity and the mechanism of greeting us. I will make a statement that is probably not only incorrect but is a function of my extreme limitation in understanding the other densities and how they work. I am guessing that this particular entity is a member of the Orion Confederation and is possibly, or possibly not, incarnate in a body of the appropriate density, which I assume is the fifth, and by mental discipline he has been able to project a portion if not all of his consciousness to our coordinates, you might say, here and it is possibly one of the seven bodies that make up his mind/body/spirit complex. Is any of this correct, and can you tell me what is correct or incorrect about that statement?

Ra: I am Ra. The statement is substantially correct.

72.5 Questioner: Would you please tell me that?

Ra: I am Ra. The entity which greets this instrument from the Orion group first attempted to cause the mind/body/spirit complex, which you may call spirit, to leave the physical complex of yellow ray in the deluded belief that it was preparing for the Ra contact. You are familiar with this tactic and its consequences. The instrument, with no pause, upon feeling this greeting, called for the grounding within the physical complex by requesting that the hand be held. Thus the greatest aim of the Orion entity was not achieved. However, it discovered that those present were not capable of distinguishing between unconsciousness with the mind/body/spirit intact and the trance state in which the mind/body/spirit complex is not present.

Therefore, it applied to the fullest extent the greeting which causes the dizziness and in meditation without protection caused, in this instrument, simple unconsciousness as in what you would call fainting or vertigo. The Orion entity consequently used this tactic to stop the Ra contact from having the opportunity to be accomplished.

77.8 Questioner: Finally, she wishes to know why several days ago her heart rate went up to 115 per minute and then she had extreme pain in her stomach. Was that an Orion greeting, it says?*

Ra: I am Ra. Although this experience was energized by the Orion group the events mentioned, as well as others more serious, were proximally* caused by the ingestion of certain foodstuffs in what you call your tablet form.

81.2 Questioner: Is this the reason for the instrument’s feeling of uninterrupted weariness?

Ra: I am Ra. There are portions of your space/time in which this may be said to be symptomatic of the psychic greeting reaction. However, the continual weariness is not due to psychic greeting but is rather an inevitable consequence of this contact.

85.8 Questioner: I am assuming that it would be a problem for the instrument if she were to meditate without the hand pressure from the other-self at this time because of the continued greeting. Is this correct?

Ra: I am Ra. This is correct if the instrument wishes to remain free from this potential separation of mind/body/spirit complex from the third density it now experiences.

86.5 Questioner: Can you tell me anything of the nature of this crisis?

Ra: I am Ra. The polarity of your companion is approaching the critical point at which the entity shall choose either to retreat for the nonce* and leave any greetings to fourth-density minions or lose polarity. The only other potential is that in some way this group might lose polarity in which case your companion could continue its form of greeting.

92.2 Questioner: Is there a specific cause for this and could you tell us what it is if so?

Ra: I am Ra. The effective cause of the increased physical distortions have to do with the press of continued substantial levels of the distortion you call pain. Various vehicular distortions other than the specifically arthritic have been accentuated by psychic greeting and the combined effect has been deleterious.

The continued slight but noticeable losses of the vital energies is due to the necessity for the instrument to call upon this resource in order to clear the, shall we say, way for a carefully purified service-to-others working. The use of the will in the absence of physical and, in this particular case, mental and mental/emotional energies requires vital energies.

96.22 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?

Ra: I am Ra. Continue in harmony, communication, praise, and thanksgiving.

We would note that this instrument’s distortions would be lessened were it to refrain from the speaking to some extent for a diurnal period or perhaps two if the difficulty remains. We would also recommend against the activity such as running which would cause rapid respiration. This after-effect of the greeting is not necessarily long-lasting. However, as this instrument has some blood vessels in the forward regions of the skull — that is, the integument covering the skull — greatly swollen at this time, and since this instrument has the distortion known as the streptococcal infection, it is best to be full of care for a short period in order that the distortions do not catapult the entity into longer-term after-effects.

All is well. We find the alignments satisfactory.

I am Ra. I leave you in the love and light of the Infinite One. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.

98.4 Questioner: Was the greeting as effective as it would have been if the meditation had been done?

Ra: I am Ra. Yes.

98.5 Questioner: I have a question from the instrument. She states: “Could Ra tell us what factors are allowing our fifth-density, negative companion to be able to continue greeting the instrument in the throat area as well as with other unusual sensations such as dizziness, smelling of orange blossoms, the feeling of stepping on imaginary creatures, and what can be done to lessen these greetings? And why the greetings occur on walks?”

Ra: I am Ra. There are various portions of the query. We shall attempt answer to each. We tread close to the Law of Confusion, saved only by the awareness that given lack of information this instrument would, nonetheless, continue to offer its service.

The working of your fifth-density companion, which still affects the instrument, was, as we have stated, a potent working. The totality of those biases which offer to the instrument opportunities for increased vital and physical strength, shall we say, were touched by the working. The blue-ray difficulties were not entirely at an end after the first asking. Again, this group experienced blockage rare for the group; that is, the blue-ray blockage of unclear communication. By this means the efficacy of the working was reinforced.

The potential of this working is significant. The physical exercising, the sacred music, the varieties of experience, and indeed simple social intercourse are jeopardized by a working which attempts to close the throat and the mouth. It is to be noted that there is also the potential for the loss of this contact.

We suggest that the instrument’s allergies create a continuous means whereby the distortion created by the magical working may be continued. As we have stated, it shall be necessary, in order to remove the working, to completely remove the distortion within the throat area caused by this working. The continuous aggravation of allergic reactions makes this challenging.

The orange blossom is the odor which you may associate with the social memory complex of fifth-density positive which is known to you as sound vibration, Latwii. This entity was with the instrument as requested by the instrument. The odor was perceived due to the quite sensitive nature of the instrument due, again, to its, shall we say, acme in the eighteen-day cycle.

The sensation of stepping upon the small animal and killing it was a greeting from your fifth-density, negative companion also made possible by the above circumstance.

As to the removal of the effects of the magical working, we may make two suggestions, one immediate and one general. Firstly, within the body of knowledge which those healers known among your peoples as medical doctors have is the use of harsh chemical substances which you call medicine. These substances almost invariably cause far more changes than are intended in the mind/body/spirit complex. However, in this instance the steroids or, alternately, the antibiotic family might be useful in the complete removal of the difficulty within which the working is still able to thrive. Of course, the allergies would persist after this course of medicine were ended, but the effects of the working would no longer come into play.

The one you call Jerome might well be of aid in this somewhat unorthodox medical situation. As allergies are quite misunderstood by your orthodox healers, it would be inappropriate to subject the instrument to the services of your medical doctors which find the amelioration of allergic effects to be connected with the intake of these same toxins in milder form. This, shall we say, treats, the symptom. However, the changes offered to the body complex are quite inadvisable. The allergy may be seen to be the rejection upon a deep level of the mind complex of the environment of the mind/body/spirit complex. Thus the allergy may be seen in its pure form as the mental/emotional distortion of the deeper self.

The more general recommendation lies with one which does not wish to be identified. There is a code name prayer wheel. We suggest ten treatments from this healer and further suggest a clear reading and subsequent following, upon the part of the instrument, of the priorities of allergy, especially to your foodstuffs.

Lastly, the effects of the working become apparent upon the walking when the body complex has begun to exert itself to the point of increased respiration. Also a contributing factor is the number of your second-density substances to which this instrument is allergic.

68.1 Questioner: Could you first please give me an indication of the instrument’s condition?

Ra: I am Ra. This instrument’s physical energies are depleted completely. The remainder is as previously stated.

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